Film Review: Death Race 2000 (1975)

Roger Corman has rightfully earned the title of the grand master of US independent cinema, not only for his ability to discover and nurture talent that would later thrive in mainstream Hollywood but also for his remarkable skill in producing low-budget films. These films, often appearing rough around the edges upon their initial release, have aged like fine wine, evolving into cult classics that frequently outshine their big-budget counterparts. One such film is the 1975 science fiction action comedy Death Race 2000, directed by Paul Bartel.

Based on Ib Melchior's short dark satirical science fiction story "Racer," the plot is set in the future year of 2000. Following the catastrophic economic crash of 1979, the United States has been replaced by the oppressive regime of the United Provinces of America, ruled by Mr. President (played by Sandy McCallum). To pacify the masses, the regime organises a spectacular but ultra-violent transcontinental car race in which participants score points by fatally running over various categories of pedestrians. At the 20th annual race, the favourite and previous champion, a masked figure known as "Frankenstein" (played by David Carradine), will have to face off against four different rivals – Machine Gun Joe Viterbo (played by Sylvester Stallone), Calamity Jane (played by Mary Woronov), Mathilda the Hun (played by Roberta Collins), and Ray "Nero the Hero" Lonaghan (played by Martin Kove). Each of the participants has a navigator, and Frankenstein has Annie Smith (played by Simone Griffeth), a beautiful woman who might have an agenda of her own. As the race begins, it is being sabotaged by the resistance led by the elderly Thomasina Paine (played by Harriet Medin), who wants to restore the United States.

In typical Corman fashion, Death Race 2000 was produced on an extremely tight budget, compelling director Paul Bartel to employ ingenuity to mask its limited production values and special effects. Bartel successfully compensates for these constraints through impressive stunt work, effective pyrotechnics, and solid cinematography by Tak Fujimoto. The film's rapid editing style contributes to its brisk runtime of just 80 minutes, leaving little room for audiences to dwell on its imperfections.

There was even less opportunity to notice such flaws for audiences that came to cinemas searching for exploitation content. Death Race 2000 delivers a lot of that, not only in scenes that feature violence and gore but also plenty of female nudity.

Given its limited exposition and world-building time, the screenplay by Robert Thom and Charles B. Griffith leans heavily on established tropes within dystopian fiction. The narrative presents an oppressive regime employing extreme "bread and circuses" policies that provide ample opportunities for dark humour. This satirical edge allows Death Race 2000 to critique societal norms while entertaining viewers with its outrageous premise.

The film at times shows its age, with the chief villain obviously modelled on former President Richard M. Nixon. The motive of the government accusing France as the source of all the country's problems, while silly in the time of production, proved strangely prescient decades later at the start of the Iraq War when France refused to back the invasion and Francophobia became popular even among Hollywood filmmakers.

The film boasts a diverse and intriguing cast that adds depth to its outrageous narrative. Harriet Medin, known for her role of nurse in Rossellini's Paisan, joins David Carradine, who sought to avoid typecasting after his success with Kung Fu TV series by embracing the role of Frankenstein, enigmatic character whose true motives remain mystery until the end. Sylvester Stallone delivers an impressive performance as villainous Machine Gun Joe Viterbo—a character that stands in stark contrast to his later heroic roles—and Simone Griffeth excels in her surprisingly complex portrayal despite being remembered primarily for her nude scenes.

Upon its release, Death Race 2000 faced rejection from critics who were appalled by its overt exploitation content; however, it found favour with audiences, achieving notable commercial success for Corman. Over time, its reputation has grown significantly, earning cult status and eventually inspiring a big-budget remake in 2008 starring Jason Statham. This remake led to a series of direct-to-video sequels concluding in 2018, while Corman himself produced an official sequel titled Death Race 2050 in 2017—marking one of his final contributions to cinema.

Death Race 2000 is a film that, despite its flaws, might please all but the most sensitive and snobbish viewers. It represents exactly the kind of films phrases like "cult classic" or "guilty pleasure" were invented for.

RATING: 7/10 (+++)

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