Film Review: 22 Jump Street (2014)
It is always commendable when Hollywood keeps some of its promises for a change. At the conclusion of 21 Jump Street, the 2012 action-comedy directed by Phil Lord and Christopher Miller, the protagonists, Morton Schmidt and Greg Jenko, are informed that they will be heading to college. This premise sets the stage for its inevitable sequel, 22 Jump Street, released in 2014, again directed by Lord and Miller.
Jonah Hill and Channing Tatum reprise their roles as Schmidt and Jenko, two young police detectives who previously infiltrated a high school to dismantle a synthetic drug operation. The sequel opens with a brief recap of their earlier escapades before transitioning into their new assignment. This time, they are tasked with investigating a major illegal merchandise supplier known as "The Ghost," portrayed by Peter Stormare. Following a botched sting operation, they find themselves reassigned to the Jump Street program under the supervision of Captain Dickson, played by Ice Cube. Their new mission involves uncovering the source of "Whyphy," a synthetic drug linked to a student's death at a local college. Posing as students, Jenko quickly bonds with the jocks and becomes a star football player, while Schmidt finds romance with Maya, an art student played by Amber Stevens.
While 22 Jump Street offers several enjoyable moments, it unfortunately lacks originality. The film’s producers are aware of this shortcoming and cleverly address it through self-referential humour that breaks the fourth wall, lending the film a distinct "meta" quality. This approach allows the audience to engage with the narrative on another level, acknowledging its own clichés while still delivering entertainment.
However, despite these efforts, the fundamental concept and storyline remain strikingly similar to those of its predecessor. This results in inevitable comparisons that highlight a lack of novelty in the sequel. The more realistic setting of college life for young police detectives does not elevate the film; instead, it feels like a rehash of familiar themes. Although 22 Jump Street introduces new characters such as Maya and Jenko's jock friend Zook (played by Wyatt Russell), the overall quality of humour appears diminished. The filmmakers attempt to compensate for this by incorporating an action-packed finale that parodies Michael Bay's signature style, but it does not entirely redeem the film's shortcomings.
Pacing issues persist in 22 Jump Street, making it feel somewhat overlong; nonetheless, it manages to avoid becoming tedious. The film’s rhythm occasionally falters, but it retains enough momentum to keep viewers engaged throughout its runtime. Thankfully, Hill and Tatum continue to deliver strong performances, showcasing their undeniable chemistry as a comedic duo. Their "buddy-buddy" dynamic serves as a vital counterbalance to the film’s flaws, ensuring that audiences remain invested in their characters' journey.
The concluding impression of 22 Jump Street is significantly enhanced by a hilarious sequence during the end credits that showcases potential sequels which were never produced. This self-referential and self-parodic element reinforces the film's overall tone and adds an extra layer of enjoyment for viewers familiar with its comedic style.
While 22 Jump Street may not be particularly memorable or profound, it remains an entertaining experience for those who approach it with modest expectations.
RATING: 5/10 (++)
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